Cereol Series

2003–2007

Industrial heritage, entropy, and rebirth.

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Container Series

2001–2010

Containment, memory, and conceptual collapse.

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Aerialiens Series

1997–2022

Aerial perspectives meeting alienation.

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Sardegna Series

1998–2021

Light, dust, and distance from Montevecchio.

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Ground Zero Series

2002–2009

Destruction and rebirth through restrained realism.

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Bäst Före Series

2014

The aesthetics of expiry and value erosion.

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Identification Piece Series

1998

Presence, trace, and tactile memory.

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Chains Series

2002–2025

Connection, dependence, and repetition.

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Be My Guest Series

2011–2025

Hospitality, vulnerability, and reflection.

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Birth from Dead Matter Series

1992–1994

Metamorphosis of material and form.

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Killing Darlings Series

2020–2022

Self-critique and the creative purge.

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Land of Confusion Series

2022–2024

Information overload and modern dissonance.

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Everyone’s a Winner Baby Series

2012–2023

Irony and celebration through mass-media icons.

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Stolen Works Appendix

1996

Paintings lost to theft — recorded to preserve continuity.

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Structure Series

1998–2001

Architectural rhythm and spatial composition.

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For God and Country

2021

Faith and nation reduced to bare symbols — cardboard, tape, and the fragility behind heroic myth.

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After the Exhibition

2017–2024

What remains once the artworks are gone — traces, pinholes, shadows, and quiet residue.

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Commissioned Work

Various years

Paintings created on request — a parallel thread shaped by collaboration and context.

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